The definitive cult, post-modern novel – a shocking blend of violence, transgression and eroticism. The definitive cult, post-modern novel – a shocking blend of violence, transgression and eroticism. When our narrator smashes his car into another and watches a man die in front of him, his sense of sexual possibilities in the world around him becomes detached. As he begins an affair with the dead man's wife, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Then he encounters Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, who has gathered around him a collection of alienated crash victims and experiments with a series of erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash – a head-on collision of blood, semen, engine coolant and iconic celebrity.When our narrator smashes his car into another and watches a man die in front of him, his sense of sexual possibilities in the world around him becomes detached. As he begins an affair with the dead man's wife, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Then he encounters Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, who has gathered around him a collection of alienated crash victims and experiments with a series of erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash – a head-on collision of blood, semen, engine coolant and iconic celebrity. When our narrator smashes his car into another and watches a man die in front of him, his sense of sexual possibilities in the world around him becomes detached. As he begins an affair with the dead man's wife, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Then he encounters Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, who has gathered around him a collection of alienated crash victims and experiments with a series of erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on collision of blood, semen, engine coolant and iconic celebrity. First published in 1973 ‘Crash’ remains one of the most shocking novels of the second half of the twentieth century and was made into an equally controversial film by David Cronenburg. 'A work of very powerful originality. Ballard is amongst our finest writers of fiction.' Anthony Burgess 'One of the few genuine surrealists this country has produced, the possessor of a terrifying and exhilarating imagination.' Guardian 'Ballard has issued a series of bulletins on the modern world of almost unerring prescience. Other writers describe; Ballard anticipates.' Will Self 'Britain's number one living novelist.' John Sutherland, Sunday Times J.G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After internment in a civilian prison camp, he and his family returned to England in 1946. He published his first novel, ‘The Drowned World’, in 1961. His 1984 bestseller ‘Empire of the Sun’ won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was shortlisted for the Booker Prize. It was later filmed by Steven Spielberg. His most recent novel is ‘Kingdom Come’, published in 2006, his autobiogaphy ‘Miracles of Life’ was published in 2008 to much acclaim. Includes PS Section • J.G. Ballard has been at the forefront of modern British fiction for over four decades, achieving remarkable critical acclaim and commercial success. • ‘Crash’ is one of Ballard’s most shocking and well-known novels. It was made into an equally controversial film by David Cronenberg. • A competition to design the cover is being run with Times online. • It is being reissued to coincide with the paperback publication of ‘Miracles of Life’.
Pubblicato da: HarperCollins Publishers