“There is no happiness in love, except at the end of an English novel.” Anthony Trollope“There is no happiness in love, except at the end of an English novel.” Anthony TrollopeIt’s the early 1980s. In American colleges, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine studies the age-old motivations of the human heart, real life, in the form of two very different guys, intervenes. Leonard Bankhead – charismatic loner and college Darwinist – suddenly turns up in a seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old friend Mitchell Grammaticus – who’s been reading Christian mysticism and generally acting strange – resurfaces, obsessed with the idea that Madeleine is destined to be his mate.Over the next year, as the members of the triangle in this spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they have learned. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can’t escape the secret responsible for Leonard’s seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love.Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.‘If you were ever young and thought you knew what you wanted, if you ever imagined that no one could feel such intensity of emotion as you, if you ever had your dreams dashed and your heart broken, then this is the book for you’ The Times‘I adored The Marriage Plot … David Nicholls’ One Day with George Eliot thrown in’ Erica Wagner, The Times, Books of the Year‘I gorged myself on The Marriage Plot’ Geoff Dyer‘A marvellous, compulsive storyteller; he reminds us that while love may not always triumph, it follows its own wayward course to the end’ Sunday Telegraph‘Where it excels is in pinpointing human emotions and in capturing the giddy flux of young love. As Mitchell says, “There were some books that reached through the noise of life to grab you by the collar and speak only of the truest things.” Funny, poignant and insightful, this is one of those books’ Sebastian Shakespeare‘Immensely readable, funny and heartfelt, with instantly beguiling writing that springs effortlessly back and forth over the year’s events… it was indeed worth waiting for’ Daily Telegraph‘Utterly engrossing … so well depicted – with wit, care and charm – that Eugenides hasn’t just raised his game, he’s changed the fictional goalposts’ Daily Mirror‘In the generosity and and nuance of his characters and paragraphs you are reminded of the Jonathan Franzen of “The Corrections”’ Observer‘Moving, human and challenging…subtle, pertinent narrative observations that show the work of a master of fiction at work’ TimesCompetition: High-Rise; The Last Fiesta; Sweet Home; The Portable Veblen. J. G. Ballard;Andy Rumbold; Carys Bray; Elizabeth McKenzie;
Pubblicato da: HarperCollins Publishers